Donald Trump Is A Big Orange Bag Of Supervillain Tropes
If I wrote Donald Trump as a character, he would never fly outside of overt satire. “He’s too one-dimensional, too absurdly over the top, too poorly conceived. But worst of all, he’s just a trope. In fact, you threw every major supervillain trope but one together and called it done.”
You’d be right, too.
First trope: he thinks he’s the hero. But usually the villain has a rationale for thinking so that makes sense. Like Magneto, out to save the mutants from the humans. But Trump is no Magneto. Trump isn’t that well thought out of a character. More like Mr. Burns from the Simpsons, Trump thinks he’s the hero simply because he is himself. But Mr. Burns is a satirical character, representing greed and the blindness of old money to the daily concerns of the poor and the workers and the middle class. A serious character in a serious story needs to have more to him, and Trump doesn’t.
Trump is a sore loser AND an ungracious winner, which is both a villain trope and a bully trope. Fine, plenty of villains are bullies and vice-versa. There’s nothing too wrong with giving a villain both of these traits; they’re common enough in the real world among assholes. The only real problem is just throwing them willy-nilly in with the rest of the package of tropes without any real justification. Why is Trump a sore loser and an ungracious winner? Because he was raised a spoiled rich brat and has never known being denied everything he ever wanted? That doesn’t wash – Trump HAS been denied things he wants. He has lost properties and yachts and control of businesses because of corporate bankruptcies forced by runaway, mismanaged debt. He began his business life by blowing a million dollar loan and having to appeal to his dad to pull strings to get him tens of millions of dollars in credit, which credit line he promptly maxed out, requiring his dad to give him millions more to bail him out. He’s had opportunity to learn, but apparently hasn’t learned from any of his forty-plus years of experiencing denial and defeat. It’s just not a credible backstory for the character. It’s poor writing.
His self-absorbed egotism and lack of empathy, again, aren’t unbelievable in and of themselves. They’re just so over the top, so glaring. Cartoonish, even. Like reacting to the destruction of the Twin Towers on 9/11 by saying he now has the tallest building in the city. Who the hell would be THAT bereft of humanity? Outside of satire, nobody is going to buy that. Especially if this Trump character is supposed to be a savvy villain. Would Lex Luthor be stupid enough to say something that obviously self-absorbed, even if he believed it? In private, maybe. But TO A JOURNALIST IN A TAPED INTERVIEW? Too cartoonish, outside of maybe a one-shot comic issue where there’s no time for any subtlety or nuance at all.
He’s frequently driven by anger and mocks others for inborn characteristics like disability or physical appearance. SERIOUSLY, COME ON. Those are traits of nameless thug characters, not of big bosses. To be a believable major villain, they have to have some shred of self-control. They can’t just be lashing out randomly every time they don’t like someone. Plus it doesn’t really fit well with the ‘believes he’s the hero’ trope. Again, that trope requires at least a veneer of self-control that this ridiculous Trump character so obviously lacks.
But somehow, he harbors grudges, often for years, over setbacks both minor and major. If he’s so out of control he can’t help but mock a reporter for having a withered arm or resurrect a twenty-year-old feud with an actress over an entirely unconnected matter, how the hell is he focused enough to hold on to all these long-term grudges and plot revenge?
And on top of all that, he’s also blind to major portions of reality. He imagines himself winning when he’s losing. He calls abject business failures – by the way, bankrupting casinos during a gambling industry boom? Failing to sell VODKA, STEAKS, AND FOOTBALL in the United States? Who’s going to believe that shit? – victories. He thinks he’s suave and professional when all he has to do is watch his own interviews to see differently. He thinks he’s an opinion leader when he constantly changes his opinion on every position he’s ever taken.
It’s all too much. Way, way too much. All this isn’t needed to establish a character as a villain, unless he’s deliberately written to be a campy parody. And it’s not even subtle enough for that. There’s a point where the reader says, “this is all too crude and clumsy. It’s not interesting. It’s a mere catalog of assholery. This writer should have just written a listicle entitled “Ten Ways To Be A Total Prick” because I’m not buying the character AT ALL.
And after all that, what is this villain’s nefarious plan? To become the President of the United States and… not do the job. That’s it. To hand the whole job to the Vice President and travel around the country being a cheerleader, giving rah-rah speeches. Really. That’s the big revenge.
What’s the missing trope, you ask?
Trump isn’t a casual killer.
As far as we know.
Posted on October 19, 2016, in Making Fun of Pop Culture, Rant, Reality in fiction and tagged Credibility, Donald Trump, Literary criticism, Political fiction, Political Theater, Politicians, Politics, satire, tropes, Villains, writing, Writing characters. Bookmark the permalink. Leave a comment.