Author Archives: Tao23
This is the fourth of six or seven installments depending on how things go while I’m writing the conclusion — one consequence of my outline-and-planning-free writing style is that I’m not often good at predicting final wordcounts. After it’s done I’ll release an omnibus and a print edition. At a projected 30-35,000 words, it will be the longest thing I’ve written. Right now it’s right around 20,000 words, equal to my previous record in Isolation, the title story in the Isolation and Other Stories collection.
So, why the heck am I writing a serial? And why was there a long pause between installments three and four?
Because I’ve been hit or miss in terms of finishing my work on longer stories. I have several projects that have been waiting at 10,000 or 20,000 words for me to finish them. I’ve let myself be derailed into turning to shorter projects and finishing those instead. But that’s not a good pattern for a writer to be in.
Writers need to finish their writing, dammit!
So a serial seemed like a good way to make a public commitment to finishing a story. I started this project to light a fire under my butt. By following through here, I demonstrate to myself that this unfortunate pattern of leaving long stories lie fallow for months or years before finishing them is unnecessary. I show myself that I can finish what I started. And I force myself to figure how how to motivate myself to do it.
Sometimes we realize that something is wrong, and it needs fixing.
It won’t get fixed unless we work on it with a seriousness.
So here I am, working with a seriousness. And I get a finished story out of it, and I hope you’ll find you got a good read out of it.
Back in the days when I read more superhero comix, and today when I watch a movie with a flying superhero — especially one with some kind of ranged attack, IRON MAN I’M LOOKING AT YOU — I’m super annoyed when they just happen to fly low enough for an opponent with no ranged attack to grab or hit them.
JUST FLY HIGHER, DUMMY.
“But the plot requires me to get close enough to let my opponent start a thrilling grapple…”
SHUT UP THAT’S LAZY-ASS WRITING.
Same goes for every drama that features a standoff with a gun and the hero stands there holding the gun on the villain as the villain creeps closer and closer until they can just grab the gun. It rarely makes sense. If there’s something about the character holding the gun that makes it make sense, fine. Maybe they’ve just realized that they can’t bring themselves to shoot another human being. Or there’s some overriding reason that shooting and maybe killing the villain would be a terrible idea.
But that’s so seldom the case. More often than not, it’s a contrived situation to up the tension.
Don’t be lazy and write things that don’t make sense. If you want more tension or whatever, and it doesn’t make sense, GO BACK AND WRITE IT DIFFERENTLY SO IT MAKES SENSE.
If the tiger catches the drone, make sure there’s some internal logic to it.
…to which I replied…
It makes sense to me. If I was working for NASA and secretly invented FTL travel, I’d be sorely tempted to pack up and leave given the events of the last couple of years and the direction things seem to be headed in. Nothing personal.
…but I do maintain a Patreon page. Because I am a poverty-stricken writer (yes, actually under the poverty line for a family of 5. Or even 4 if you count my college student stepson as an adult, even though his full time job is college student and he lives here with the rest of us in our itty-bitty trailer), and while the readers I have are wonderful and sometimes even take a moment to tell me so on Twitter or in a review…
…and because Patreon is now a way for creators to make a wee bit more money than they would if they can think of something to offer people who like what they do, and I can — for example, I just posted some brand-new microfiction over there…
…and often I post it over here eventually, but not always. And I never post links to free ebook copies over here, but I do over there for my $5 or more patrons…
…so, yeah. I’m a big fan of supporting the arts, and these last few years I have become part of the arts. If you’d like to see some of my arts before other people get to see them, Patreon is the place to go.
Thanks for reading. Wherever you read.
So, I haven’t done one of these in a while. In the last months of the presidential campaign and the aftermath, well, the distraction of watching this all unfold was distracting. I had trouble writing anything but deep dystopia. I managed to create some wordage, but it was a bit of a slow stretch for three or four months.
But here I am, production ramping up again. Maybe next time something distracting befalls the world, I’ll be a little better at keeping the creative juices flowing. This little episode did a pretty good job reminding me that I’m still learning the ropes and will be until I die — which is what all the more successful people who do stuff do, I hear.
This one, of course, is inspired by the ideology-driven denial of either the human role in climate change, the actual fact the climate is changing, or both.
And of course the title is dedicated to the people around the world who take their faith as incompatible with climate change, or a round Earth, or a heliocentric solar system, or whatever other observed data they choose to disregard, thinking it opposed to their beliefs.
Of course, there are plenty of people who have some sort of faith — one of the established ones, Deism, Pandeism, animism, whatever else — who have no trouble at all accepting that what we observe about the universe is actually what we observe about the universe. And of course there are the various flavors of atheist (myself included) who just go with the data as best as we can interpret it, but can also appreciate how awesome, beautiful, and sometimes scary things like flowers, babies, galaxies, changing climates, and all kinds of other stuff are.
Paying attention to politics, I have heard (read) some of our lawmakers say things like the title of this story. Or that the oil or coal we’re mining cannot run out because a deity will restore it at our need.
Well, even if you do believe that Earth is a creation and a deity appointed humans the stewards of it, that seems pretty silly to me. Not to mention a bad way to raise a worldful of humans.
Would any of us raise a kid like that? “Hey, kiddo — this is your room. It’s yours. Go ahead and rip up the floorboards, pee in the corners, punch holes in the walls. I’ll pop by and fix everything up perfect for you again, leaving you to learn nothing but how to be a spoiled rotten brat with total contempt for the good things you have.”
That seems like an awful idea. So not only do I, as an atheist, not believe that a deity will come and save us from the consequences of our actions, I, as a father, think that would be a very poorly thought out path for a deity of any intelligence whatsoever.
So maybe more of us humans, regardless of belief system, should be worrying a bit more than we do about this planet of ours? Just a thought…
[This appeared on my Patreon page on the 22nd, a week before it appeared here. So, you know, becoming a patron is a great way to see a lot of posts early, plus you can receive free ebook copies and even signed paperbacks of stories and collections I publish!]
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Here gather some reviewers and/or writers — AND YOU IF YOU’D LIKE TO JOIN IN — to discuss a book. We do it every couple of months, so pay attention if you like reading things. Since you’re here, I think you do.
This time, we’re talking about Nnedi Okorafor’s Lagoon (not an affiliate link, if it matters to you) in the comments section below. I’m going to talk about it here a little bit first, and my fellow participants have written their own thoughts/reviews on it at Sci-Fi and Scary, The Scary Reviews, Michael Patrick Hicks dot com, and Dave’s (David Dubrow’s) Blog.
I suggested we read it, and from what I’ve heard they mostly sort of enjoyed it but saw some pretty serious problems with it, giving it two or three stars out of five.
So I might not get to recommend new fiction for us to talk about for a while. We’ll see how forgiving they are.
Don’t take the previous two sentences too seriously 🙂
Nnedi Okorafor has a few words to say about Lagoon as well, on her Wahala Zone Blog. They’re worth reading. “I admit (and don’t apologize for) the fact that my flavor of scifi is evenly Naijamerican (note: “Naija” is slang for Nigeria or Nigerian.),” she writes.
If you’re personally acquainted with the cultural context her writing speaks for/to/of/with, or even have enjoyed reading some Afrofuturism in the past (that’s my case), you may find Okorafor’s work more easily accessible than if your experience is otherwise.
On the other hand, to hell with accessibility. Variety is the spice of life and all that.
My impressions of the book:
Some folk have been bugged by the extensive use of dialog in Pidgin English. I wasn’t, but then I’ve read through A Clockwork Orange so…
…the Pidgin didn’t bother me for reasons you might guess. Others found it distracting. Personal taste.
I enjoyed reading Lagoon. I wanted to love it as much as I loved reading Binti and Akata Witch and a few of Okorafor’s short stories I’ve stumbled across. But I couldn’t quite.
It felt, to me, like the ideas of two or even three books stuffed into the skin of a single book. If it were a sausage, I’d say the richness overwhelmed the flavor. But I’m glad I ate it, and the experience was positive and memorable, even if I had to take a break in the middle and let everything settle for a while. Which I did. I put Lagoon down about 2/3 through and read a short story anthology, then came back to finish it.
Nnedi seems to have her plate full of writing for the forseeable future so I’m not holding my breath for a return to Lagoon. But if a sequel showed up, I’d love to see what she does with that crammed-full-of-interesting-things world.