Category Archives: Reality in fiction
It’s a gate. It’s a place to start, whether you’re describing a character or a place or an action. And you know more than you think.
Especially if you write science fiction or fantasy. Because then you’re free to make up the things you know from whole cloth in a few spots, maybe many. That’s a privilege other genres don’t have like we get in SFFPHM (Science Fiction, Fantasy, Paranormal, Horror, Magical realism). Other writers might make up a town or something, but their worlds are expected to act totally like the real world.
Settings aside, writing what you know also doesn’t mean every character has to be a writer or a retail person or a middle manager or whatever variety of things it might be that you do with your lifetime. Doesn’t mean all your aliens need to know what it’s like to poop or vomit. Doesn’t mean that your orcs need to be the orcs you know from all those movies with the really short dudes and a jewelry fetish.
Write what you know is great for writing the human bit of your story, though it’s a damn good thing to remember that if you’re writing about a culture or subculture you’re not familiar with, it’s best to consult members of that culture. Unless it’s elves. You’re not going to find any real elves to consult about your fictional ones, I’m afraid. HOWEVER that said if you’re going to base your elves’ culture strongly on the culture of southern Spain, you’d better be familiar with southern Spain in some significant way.
’nuff said. I’ve already harped on that enough and I hope you were listening.
Write what you know means the practical simple things around you, sure. Do use your memories, your pain, your joy, things that happened to you, places and people you’ve met (though tread lightly when writing a person who’s close to you lest ye complicate yer relationship).
Use the things that made you grieve. Use the things that made you weep with joy. You can choose not to reveal that those things came from within yourself if that’s what you want or need to do. Do use your writerly skills to file the serial numbers off them.
Write things you know you can feel. Because feeling (Hemingway would say, did say, bleeding) on the page speaks to readers. It can reach into your readers’ hearts where mere skill can only titillate their minds.
There are plenty of successful authors who do the latter. But the stories that do the former are remembered. They change minds and sometimes lives.
Don’t think it’s easy, though. No author succeeds at that every time. In fact, I think it’s an ideal that is rarely reached.
Do reach for it.
We live in the middle of either a medium-large metro of close to two million people or seven mid-sized cities jammed shoulder to shoulder around the area where the James River empties into the mouth of the Chesapeake Bay. It depends who you ask.
We’ve long been a family to enjoy a walk. Being temporarily carless at the moment, we’re walking more.
And walking, you’re more likely to find little oases of refreshing nature like those above.
They remind me of my childhood in rural Wisconsin, and reminiscence is good for writers. Right now I’m working on a novella, Carrying Salt To Heaven, and the current extended scene I’m working on involves a character from a bleak land being introduced to a huge, lush nature preserve.
Some of the sensory impressions of this little oasis, and my childrens’ reactions to them, and the childhood memories they awaken, are finding their way into the novella.
Get out and find stuff, however that works for you. Your art and life will be enriched for it.
[This post appeared a week before it posted here, on my Patreon page. Come say hello and see some public posts that haven’t appeared here!]
C3P0 is the poster child for a minor science fiction trope that doesn’t pop up super-often, but never fails to make me cringe and grind my teeth simultaneously whenever it does: intelligence and/or education (an encyclopedic robot brain is an acceptable stand-in for either) represented by the character knowing the exact odds of the possible outcomes of whatever is going on in the story.
I hate it so much.
One, it’s an anti-intellecual sop. The wimpy brainiac worries about failure and would never try but OH WAIT HERE IS THE SAVIOR HE WILL SAVE US WITH HIS AWESOME TACTIC OF NOT BEING SMART BECAUSE SMART SUCKS.
I really, really hate that message. I have hated it since I was a small child in elementary school being teased by my classmates for my habit of reading constantly, with “hey Einstein” and “hey professor,” which were meant as insults. Because what could be more awful than being a genius or an educator, am I right?
Two, it makes no damn sense. Reliable odds are for things that are predictable and fairly simple, like a lottery. If there are a million scratch-off tickets in circulation and one of them is a $100,000 prize winner, you can definitely say the chances of winning $100,000 by buying one is one in a million.
But look, C3P0. You can’t deliver precise odds of navigating an asteroid field. Too many variables. Like, how do you know the density of asteroids in this particular field? Or in this spot in this field? Or, you know, all their orbits? Or whether Han will sneeze and miss seeing a threat? Or whether his rickety-ass spaceship will have an engine hiccup at the wrong moment?
C3P0 is guessing. Anyone can guess, just ask a bookie. And maybe that’s the joke, that C3P0 is just guessing and only thinks he’s smart because he’s educated. And now we’re back to anti-intellectualism and anti-education and anti-expertise. And you’ve seen what those have done for us lately.
Back in the days when I read more superhero comix, and today when I watch a movie with a flying superhero — especially one with some kind of ranged attack, IRON MAN I’M LOOKING AT YOU — I’m super annoyed when they just happen to fly low enough for an opponent with no ranged attack to grab or hit them.
JUST FLY HIGHER, DUMMY.
“But the plot requires me to get close enough to let my opponent start a thrilling grapple…”
SHUT UP THAT’S LAZY-ASS WRITING.
Same goes for every drama that features a standoff with a gun and the hero stands there holding the gun on the villain as the villain creeps closer and closer until they can just grab the gun. It rarely makes sense. If there’s something about the character holding the gun that makes it make sense, fine. Maybe they’ve just realized that they can’t bring themselves to shoot another human being. Or there’s some overriding reason that shooting and maybe killing the villain would be a terrible idea.
But that’s so seldom the case. More often than not, it’s a contrived situation to up the tension.
Don’t be lazy and write things that don’t make sense. If you want more tension or whatever, and it doesn’t make sense, GO BACK AND WRITE IT DIFFERENTLY SO IT MAKES SENSE.
If the tiger catches the drone, make sure there’s some internal logic to it.
If I wrote Donald Trump as a character, he would never fly outside of overt satire. “He’s too one-dimensional, too absurdly over the top, too poorly conceived. But worst of all, he’s just a trope. In fact, you threw every major supervillain trope but one together and called it done.”
You’d be right, too.
First trope: he thinks he’s the hero. But usually the villain has a rationale for thinking so that makes sense. Like Magneto, out to save the mutants from the humans. But Trump is no Magneto. Trump isn’t that well thought out of a character. More like Mr. Burns from the Simpsons, Trump thinks he’s the hero simply because he is himself. But Mr. Burns is a satirical character, representing greed and the blindness of old money to the daily concerns of the poor and the workers and the middle class. A serious character in a serious story needs to have more to him, and Trump doesn’t.
Trump is a sore loser AND an ungracious winner, which is both a villain trope and a bully trope. Fine, plenty of villains are bullies and vice-versa. There’s nothing too wrong with giving a villain both of these traits; they’re common enough in the real world among assholes. The only real problem is just throwing them willy-nilly in with the rest of the package of tropes without any real justification. Why is Trump a sore loser and an ungracious winner? Because he was raised a spoiled rich brat and has never known being denied everything he ever wanted? That doesn’t wash – Trump HAS been denied things he wants. He has lost properties and yachts and control of businesses because of corporate bankruptcies forced by runaway, mismanaged debt. He began his business life by blowing a million dollar loan and having to appeal to his dad to pull strings to get him tens of millions of dollars in credit, which credit line he promptly maxed out, requiring his dad to give him millions more to bail him out. He’s had opportunity to learn, but apparently hasn’t learned from any of his forty-plus years of experiencing denial and defeat. It’s just not a credible backstory for the character. It’s poor writing.
His self-absorbed egotism and lack of empathy, again, aren’t unbelievable in and of themselves. They’re just so over the top, so glaring. Cartoonish, even. Like reacting to the destruction of the Twin Towers on 9/11 by saying he now has the tallest building in the city. Who the hell would be THAT bereft of humanity? Outside of satire, nobody is going to buy that. Especially if this Trump character is supposed to be a savvy villain. Would Lex Luthor be stupid enough to say something that obviously self-absorbed, even if he believed it? In private, maybe. But TO A JOURNALIST IN A TAPED INTERVIEW? Too cartoonish, outside of maybe a one-shot comic issue where there’s no time for any subtlety or nuance at all.
He’s frequently driven by anger and mocks others for inborn characteristics like disability or physical appearance. SERIOUSLY, COME ON. Those are traits of nameless thug characters, not of big bosses. To be a believable major villain, they have to have some shred of self-control. They can’t just be lashing out randomly every time they don’t like someone. Plus it doesn’t really fit well with the ‘believes he’s the hero’ trope. Again, that trope requires at least a veneer of self-control that this ridiculous Trump character so obviously lacks.
But somehow, he harbors grudges, often for years, over setbacks both minor and major. If he’s so out of control he can’t help but mock a reporter for having a withered arm or resurrect a twenty-year-old feud with an actress over an entirely unconnected matter, how the hell is he focused enough to hold on to all these long-term grudges and plot revenge?
And on top of all that, he’s also blind to major portions of reality. He imagines himself winning when he’s losing. He calls abject business failures – by the way, bankrupting casinos during a gambling industry boom? Failing to sell VODKA, STEAKS, AND FOOTBALL in the United States? Who’s going to believe that shit? – victories. He thinks he’s suave and professional when all he has to do is watch his own interviews to see differently. He thinks he’s an opinion leader when he constantly changes his opinion on every position he’s ever taken.
It’s all too much. Way, way too much. All this isn’t needed to establish a character as a villain, unless he’s deliberately written to be a campy parody. And it’s not even subtle enough for that. There’s a point where the reader says, “this is all too crude and clumsy. It’s not interesting. It’s a mere catalog of assholery. This writer should have just written a listicle entitled “Ten Ways To Be A Total Prick” because I’m not buying the character AT ALL.
And after all that, what is this villain’s nefarious plan? To become the President of the United States and… not do the job. That’s it. To hand the whole job to the Vice President and travel around the country being a cheerleader, giving rah-rah speeches. Really. That’s the big revenge.
What’s the missing trope, you ask?
Trump isn’t a casual killer.
As far as we know.
It’s about writing hard science fiction when you’re not a scientist, which is a lot of what I do, so I speak from experience. If you write or read science fiction I think you’ll like it. 🙂
SFNN> Classified> Off-Earth > Outer System> Kuiper> Pluto> Jobs> Technical> Supervisory
HYDROPONICS AND RECREATIONAL GENERALIST (HRG)
Salary Band 8(b)
This is a position with the Eurasian University Cooperative (EUC), Facilities Maintenance Division.
Successful applicants must pass a comprehensive full-record Onboard DNA-ROM Codex (ODNARC) examination. Felonies of any nature and offenses of any level of or related to plagiarism, intellectual property theft, academic/research honor code violation, or violence are disqualifying without appeal.
Primary operating languages:
English, Russian, Mandarin, Japanese, Hindi
Linguistic mastery of 2 or more Eurasian languages independent of translationware a plus
Successful applicant without onboard translationware will receive a discounted (66.67% discount) academic/professional grade global and dialectical translationware implant compatible with their current prefrontal bioprocessor OS. OS must be up to date with active and EUC-approved malware and spyware protection. Translationware purchased by this method will be billed in 50 weekly installments during first year of service at 0% interest. In event of early termination or resignation remaining balance will become due immediately with pending balances at 30% APR calculated on a weekly basis.
Hydroponics tech certification (6-year instructional program), reduced gravity environment safety and competence certification (with residency). Recreational design certification (2-year instructional program) may be earned via VR learning during first two years of service. 3.25 GPA minimum to proceed; unsatisfactory progress is grounds for termination after 2 quarters academic probation.
1 year small team (2-20 individual) supervisory experience required, performance must be verifiable through 2 or more professional references.
Duty schedule, salary, benefits:
The HMG manages 2 subordinates at 5 days of 10 hours weekly and 0-5 educational or apprenticeship interns at 3 days of 5 hours weekly. The duty team includes 5 pre-AI android semiskilled laborers at 6 days of 15 hours weekly.
The HMG is on-call 24 hours with scheduled duty hours of 4 days at 10 hours plus 1 day at 5 hours weekly. Off duty/on-call days shall be contiguous except in EUC-valid extenuating circumstances and shall advance 1 calendar day per week to improve whole-community access to the HMG. Example: week 1 off-duty FRI-SAT becomes off-duty SAT-SUN in week 2. Likewise, regular scheduled duty hours shall advance 2 hours per schedule week. Example: Week 1 10-hour days of 0700-1500 become 0900-1700 in week 2.
The HMG is budgeted 260 hours of Paid Time Off (PTO) yearly accrued at 5 hours per calendar week of employment. No more than 90 hours shall be taken consecutively. PTO shall not accrue above 260 hours. Earned PTO not accrued due to accrual cap shall be paid at the end of each calendar week at a rate of 1.5x hourly pay as earned.
The HMG receives priority-personnel-beta (Band 2 of 5) for recreation (alpha priority (band 1 of 5) in the facility they manage), medical treatment and disaster relief.
EUC contribution to retirement fund is 7.5% of salary accrued weekly; HMG may choose to contribute a maximum of an additional 7.5%. Funds are limited to EUC-approved savings, bond, and securities instruments. Investment diversity is recommended.
The HMG will maintain a hydroponics facility rated to serve a population of 10,000 individuals. The hydroponics ecosystem includes standard, drip, and mist components and includes composting, incinerating, and recycling human and animal waste and garbage.
Bacteria, fungus, plant, fish, amphibian, bird, and small mammal populations are part of the hydroponics ecosystem and must be managed and harvested for edible and otherwise useful biomass at optimal levels.
The hydroponics environment includes public-accessible parklands with maximum occupancy of 500. Parklands must be managed to optimize environmental support, recreational value, aesthetics, and agricultural performance.
The HMG is expected to optimize and improve the performance of the hydroponics facility on an ongoing basis through research, innovation, and implementation of upgrades, redesign opportunities, and integration of new discoveries in the fields of hydroponics and recreation.
The EUC utilizes the Global Blind Application System (GLOBAS) which strips demographics-revealing data from applications. If you believe your circumstances may confer priority status upon your application you may not state so to the EUC but must apply to GLOBAS for pre-GLOBAS prioritization. Making an assertion of priority status to the EUC regardless of veracity will result in disqualification.
The EUC has zero tolerance for harassment of any variety and utilizes an all-Artificial Intelligence 3rd party service for adjudication of internal incidents.