Follow the Leaders: one piece in a series by artist Isaac Cordal.
You may have seen the piece of art above already. It has been bouncing around the internet for some years now, often billed as “politicians debating sea level rise” or “…climate change.” Well, it kind of isn’t, and it kind of is, and following the link in the caption might shed some light on it.
It is a FANTASTIC representation, inadvertent or otherwise, specifically of the current US GOP/Trumpite approach to climate change and rising sea levels.
And that approach…
…yeah. That’s going to be SUPER EFFECTIVE.
But our Fearless Glorious Leader and his Band of
Thugs Merry Men (they’d surely call it sexist to acknowledge the women who choose to support him rather than lump them together under a masculine collective) aren’t restricting themselves to climate change. If you’ve been following current political events, he/they is/are not just ignoring climate change science, but rolling back environmental protections that have cleaned up industry-polluted land, water, and air over the last 40 years, acting to revive coal use and hobble the increasing use of solar and wind power generation, which I might add, is rising because it is now cost effective due to technological advances perpetrated by that terrible villain, science.
In other words, the 21st century is SCARY and THINGS ARE CHANGING and LET’S HIDE IN THE 20TH CENTURY. Unless you’re a public school student, in which case they’re shooting for the 19th century. No, really. The target there is getting rid of all those troublesome public schools and leaving education to corporations and churches, which I’m sure will work out great in an alternate timeline where suddenly technology stops working.
The only problem is that hiding in the past is a gigantic mistake, and it will always be. Yes, there’s such a thing as tradition. But traditions only make sense as long as they help people. If things change and they become harmful, or you realize they’ve been harmful all along and we don’t have a need to accept that harm — I’M LOOKING AT YOU COAL WITH YOUR BLACK LUNG AND OPEN PITS AND TOXIC RUNOFF AND OH WHAT A SHOCK BURNING THOUSANDS OF ANCIENT FORESTS IN CONCENTRATED FORM EVERY DAY MIGHT RELEASE GASES THAT CHANGE THE CLIMATE A TAD GEE WHIZ WHO WOULDA THUNK IT — then you say “yay, positive change!” and start using wind turbines to charge your iThingiee. And we all breathe a little easier, and people who live near the ocean like me start thinking that maybe, just maybe, our descendants won’t have to flee farther inland in the 22nd century.
Omniews Printernet Corporation
June 3, 2076
Omimerica Holdings is bringing you a bold new twist on the American Dream for the Tricentennial! Recent polls show that more Americans than ever before believe their leaders aren’t listening. The people who govern us aren’t accountable! They tell lies to get elected, break their promises as soon as they’re made, and get re-elected anyway.
By the time they choose to retire they’re a hundred times richer than when they got there — and you paid for it!
No more. Thanks to Omnimerica.
Omnimerica’s domination of the business world in every field has placed us in a unique position in history. Once, companies and citizens were at the mercy of the politicians. Sixty years ago, that began to change. For the first time ever, a global business concern (today a division of Omnimerica) and political office merged in the single person of the President of the United States. The people accepted it. The politicians accepted it. Our world, slowly, began to change. This year, that change is complete.
Today, an overwhelming majority of politicians at every level of government are involved with Omnimerica. They’re our board members, our executives, our division and holding heads, our consultants, and the customers of our worldwide supply chain.
So we’re taking action.
We’re changing everything. For the better.
Your voice will no longer be limited to voting for the lesser of two evils. You’ll vote every single day if you want! You can vote on every single issue, join the debate with your comments, reactions, and memes, and shape the policies of the United States AS THEY DEVELOP.
Never again will your voice go unheard. Omnimeria’s We The People is your destination to connect with family, friends, and the vital issues that matter to you. With a fast-moving timeline, fun games, an automatic entry in the billion-dollar Omnimerica Lottery with every post, and an advanced participation algorithm that could propel your words direct to the timeline of your local officials, the President of the United States, or even the Omnimerica Board of Directors, there’s so much to love that you’ll never fail to do your civic duty — or should we say, civic PLEASURE — ever again!
We The People is open for business in limited-participation mode right now. If you’re a US citizen, you already have an account! Log in with your SSN, birthdate, and a scan of your Citizenship Chip.
Government by the people begins on the day of the Tricentennial — log in at 12:01 PM PST on July 4th to cast your very first votes. You’ll be choosing the contestants for Dance Across the States, airing on Omnimusical 2 every Tuesday and Friday for thirteen weeks following the week of the Tricentennial. The winners will perform at ceremonies for thirty-five change of office ceremonies for mayors and governors slated for replacement by order of the Board of Directors.
Out with the old, and in with the NEW AMERICAN DREAM!
(First appearance on my Patreon page, 22 December 2016)
AllBot News and Entertainment
Week 35, 2074
L. Flora Wong
Jayla Johnson is the face of a rising new cottage industry that, some think, poses a threat to the old corporate order.
Economists estimate there are a million just like her in the United States now. Across the world, from our neighbors in Canada and Mexico to even the heavily state-managed economies of the Greater Russia Federation and China, there may be as many as ten million more. Using bots to rapidly create and sell handcrafted products worldwide is small potatoes by corporate standards. Last year, they sold perhaps $N5,000,000 ($100,000,000 pre-revaluation) in goods. But five years ago it was half that. Twenty years ago, a tenth.
Some corporations seem to think that trend could continue, and undermine their profitability. Currenty, lobbyists and sympathetic members of the rump Trump Party (now rapidly weakening through defections to the new, revived right-progressive Bull Moose Party) are attempting to push a bill through the House levying draconian fees and taxes on home entrepreneurs.
Thankfully for people like Jayla, the measure has little chance of becoming law.
As the chaos of the Great Contraction of 2027-55 came to an end, the proliferation of basic income programs combined with plunging costs and soaring capabilities of bots for the home market brought opportunities earlier generations couldn’t have imagined.
But Jayla could imagine. “I was one of the first to see what we could really do with these bots. I was selling furniture I made from salvage. Real art pieces; I started out as a sculptor. Back in the day I finished a couple of pieces a month and sold them around the neighborhood, long before I had any bots. It was a way to keep food on the table, because, you know, with all the automation there was hardly any work for anyone. But I was feeding my soul, too. Doing what I loved even though the world was going to hell all around us.”
By 2055 her business grew beyond mere subsistence. She took advantage of the first wave of Rebirth Loans then. The low-cost, flexible and long-term repayment funds allowed her to buy two bots. She went from finishing two pieces for sale per month to, in 2056 and to the present, finishing two per day. While the bots were and are marketed as automation for the home, mechanical servants for taking care of mundane tasks like cooking, cleaning, and budgeting, she saw that their learning algorithms allowed them to become able helpers.
“I still have the original bots, and now they actually do the dishwashing and whatnot they were made to do. (Laughs.) The new bots are so much better at learning tasks than the old ones. I have one to assemble pieces, one that scrounges for good salvage out of the landfill, the beach, and around the hood, one that cleans and sterilizes my materials (that took so many hours before bots!), and one that takes orders and ships them out.”
With the help of her bots, Jayla is among the upper 1% of earners in the bot-assisted home crafts industry. She estimates she sells about $N30,000 worth of furniture and art objects yearly, about $600,000 pre-revaluation.
“My basic income stipend, well, I give that to local food banks. $100 per month goes a long way for them. I’ll never forget that I was hungry, once upon a time. But thanks to these bots, I’ll never be hungry again. I hear Trump Party types go on about how people need old-style jobs. Spending all your hours doing junk that bots can do better, junk you don’t really care about. No wonder things went to hell! Who wouldn’t rather find something they love and make themselves some money doing it, whether it’s a little bit of extra spending money or, if they want to work their butts off like I do, a lot?”
(Originally appeared on Patreon on the 6th of December, 10 days ago)
The election of Trump — literally a caricature of stereotypical US flaws of arrogance, greed, vanity, and privileged brattiness — to the presidency has added notes of fear and worry to my vision of the future.
Well, I’ve long been a bit of a cynic. Maybe I should say more and louder notes of fear and worry.
Maybe you have similar feelings.
But also maybe I have a little extra insight into what that fear can mean, what damage it can inflict on us. If we allow it. And assuming the damage isn’t involuntary and external like a trade war wrecking the economy or World War 3 doing more literal wrecking.
I have the insight of having been paralyzed by fear of the future.
In my boyhood, my family moved frequently. Some people deal with that well.
I, an emotionally sensitive boy with an unstable home life — poverty, parents who argued frequently and loudly and worryingly — did not deal with it well. At all.
I cycled through ten schools (that I can remember — I won’t swear that there wasn’t an 11th) from kindergarten through ninth grade.
I stopped remembering peoples’ names, even their faces. Because they were transient. Because the world was unstable. Because I felt I couldn’t count on anything. Not anything at all, especially people.
To this day I have great difficulty remembering names and faces. Or what people do for a living, what their hobbies are, what they like and dislike.
I had become afraid of the future, and so I began to behave as if the future did not exist. As if I did not have a future at all.
The future only existed for me when I read science fiction. The future of science fiction was an abstraction. It was conjectural, imaginary, of the mind. And if it was in my mind, it was something I could count on.
It was safe in a way the future of my own life was not. Science fiction was my refuge, along with fantasy and history.
Maybe some of you feel the same.
As I progressed through high school — a relatively stable time, perhaps ironically; I stayed in the same school all four years but avoided engaging, waiting for it, too, to change — my fear stayed by my side. My grades declined. My teachers were a faceless blur, along with most of my peers. When it was time to consider college or a trade I avoided taking control. I avoided making any decisions.
I’d already decided, down deep in my marrow, that choosing was for suckers. That the fearful future was a negative thing that inflicted itself upon me. Beyond my control, a force of nature, like a tornado.
The only thing I could control, in my mind, was science fiction. There, I could wish for a future and see it happen. There I could hope.
I wrote a bit back then. Poetry and the occasional short story.
I had no ambitions for those stories. Imagining the futures that other people wrote was safe. But if I wrote them, let others read them, sent them out into the world to be considered for publication, tried to actually be a writer — that would be entering the real future and having real hope and I wasn’t ready for that at all.
That would require setting aside that fear of the future. I couldn’t bring myself to do it, think about it, even dream a little about it.
I wasn’t ready, then, to face a hope outside of fiction, a hope that would carry with it the responsibility of work and the responsibility of change and the responsibility of failing and having to try again and again and maybe look foolish in a way others might see.
Fear is like that. It grows. It expands its roots and extends its grasp from one part of your life to another. Like pernicious weeds engulfing field after field if left unplucked.
It took time and pain and effort and support and even lucky circumstance to overcome those deep-rooted and broad-branched fears of the future in my own life.
And overcoming does not mean they are gone, does not mean that I no longer have to fight them. I do. Nothing rooted so deep is uprooted without leaving scars. The fear left many buried seeds. I will always be weeding, every day I live.
Maybe this sounds familiar to you in some way.
You know, it’s good to have a refuge like reading science fiction. It is also good to realize that you cannot live in a refuge.
I cannot live in a refuge. Whether it’s from my own writing or the uncertainties of the rest of the world or from the damage that Donald Trump, President can do to our society and the rest of the world.
Having rediscovered hope, I must hope. And real hope means doing what you can to make the future a little better.
For me, that means writing about the future and trying to get paid for doing so. It means making myself plan and strive for a future of my own even when the fears and the doom that comes with them are upon me yet again.
It means advocating for a better future for us all. Taking up what tiny corner of that enormous task I might be able to grasp, even if it’s as puny as raising my voice in a blog or on social media.
It means trying to remember names and faces even though I have come to realize that I will never really be good at it, not after spending so much time hopeless and disconnected.
It means writing things like this even though it is painful and I worry that I will look like a fool (of course I will, to someone — someone always sneers).
Because maybe this will seem familiar to you, and maybe reading things like this readied me to have hope again, many years ago.
If I wrote Donald Trump as a character, he would never fly outside of overt satire. “He’s too one-dimensional, too absurdly over the top, too poorly conceived. But worst of all, he’s just a trope. In fact, you threw every major supervillain trope but one together and called it done.”
You’d be right, too.
First trope: he thinks he’s the hero. But usually the villain has a rationale for thinking so that makes sense. Like Magneto, out to save the mutants from the humans. But Trump is no Magneto. Trump isn’t that well thought out of a character. More like Mr. Burns from the Simpsons, Trump thinks he’s the hero simply because he is himself. But Mr. Burns is a satirical character, representing greed and the blindness of old money to the daily concerns of the poor and the workers and the middle class. A serious character in a serious story needs to have more to him, and Trump doesn’t.
Trump is a sore loser AND an ungracious winner, which is both a villain trope and a bully trope. Fine, plenty of villains are bullies and vice-versa. There’s nothing too wrong with giving a villain both of these traits; they’re common enough in the real world among assholes. The only real problem is just throwing them willy-nilly in with the rest of the package of tropes without any real justification. Why is Trump a sore loser and an ungracious winner? Because he was raised a spoiled rich brat and has never known being denied everything he ever wanted? That doesn’t wash – Trump HAS been denied things he wants. He has lost properties and yachts and control of businesses because of corporate bankruptcies forced by runaway, mismanaged debt. He began his business life by blowing a million dollar loan and having to appeal to his dad to pull strings to get him tens of millions of dollars in credit, which credit line he promptly maxed out, requiring his dad to give him millions more to bail him out. He’s had opportunity to learn, but apparently hasn’t learned from any of his forty-plus years of experiencing denial and defeat. It’s just not a credible backstory for the character. It’s poor writing.
His self-absorbed egotism and lack of empathy, again, aren’t unbelievable in and of themselves. They’re just so over the top, so glaring. Cartoonish, even. Like reacting to the destruction of the Twin Towers on 9/11 by saying he now has the tallest building in the city. Who the hell would be THAT bereft of humanity? Outside of satire, nobody is going to buy that. Especially if this Trump character is supposed to be a savvy villain. Would Lex Luthor be stupid enough to say something that obviously self-absorbed, even if he believed it? In private, maybe. But TO A JOURNALIST IN A TAPED INTERVIEW? Too cartoonish, outside of maybe a one-shot comic issue where there’s no time for any subtlety or nuance at all.
He’s frequently driven by anger and mocks others for inborn characteristics like disability or physical appearance. SERIOUSLY, COME ON. Those are traits of nameless thug characters, not of big bosses. To be a believable major villain, they have to have some shred of self-control. They can’t just be lashing out randomly every time they don’t like someone. Plus it doesn’t really fit well with the ‘believes he’s the hero’ trope. Again, that trope requires at least a veneer of self-control that this ridiculous Trump character so obviously lacks.
But somehow, he harbors grudges, often for years, over setbacks both minor and major. If he’s so out of control he can’t help but mock a reporter for having a withered arm or resurrect a twenty-year-old feud with an actress over an entirely unconnected matter, how the hell is he focused enough to hold on to all these long-term grudges and plot revenge?
And on top of all that, he’s also blind to major portions of reality. He imagines himself winning when he’s losing. He calls abject business failures – by the way, bankrupting casinos during a gambling industry boom? Failing to sell VODKA, STEAKS, AND FOOTBALL in the United States? Who’s going to believe that shit? – victories. He thinks he’s suave and professional when all he has to do is watch his own interviews to see differently. He thinks he’s an opinion leader when he constantly changes his opinion on every position he’s ever taken.
It’s all too much. Way, way too much. All this isn’t needed to establish a character as a villain, unless he’s deliberately written to be a campy parody. And it’s not even subtle enough for that. There’s a point where the reader says, “this is all too crude and clumsy. It’s not interesting. It’s a mere catalog of assholery. This writer should have just written a listicle entitled “Ten Ways To Be A Total Prick” because I’m not buying the character AT ALL.
And after all that, what is this villain’s nefarious plan? To become the President of the United States and… not do the job. That’s it. To hand the whole job to the Vice President and travel around the country being a cheerleader, giving rah-rah speeches. Really. That’s the big revenge.
What’s the missing trope, you ask?
Trump isn’t a casual killer.
As far as we know.
There’s always the danger of being wrong when making a prediction. I’m well acquainted with that risk — I write science fiction. My entire job is making up cool stories on a foundation of predictions that are probably wrong.
So when I predict that Trump will withdraw from the race with a Scooby-Doo quote, I’d be flabbergasted to be completely, literally correct.
But I do expect to be substantially correct — but what is that supposed to mean? Is it a cop-out?
Let me explain with an example.
Take the H.G. Wells “scientific romance” of 1901, The First Men in the Moon. In it, Wells imagines the invention of a fantastic metal called “cavorite” which naturally rises. His heroes make a vessel out of cavorite, fly to the moon, and have an adventure among the native “Selenites,” their “moon calves,” and so on and so forth.
Wells figured that as technology advanced, people would want to go explore the moon. So he made up a story about it. The details are way wrong, which is almost inevitable when you’re predicting future discoveries that are unknowns to the age in which you’re writing. But the meat of it is right: people wanted to explore the moon, we figured out how, and some people went and took a look around the moon.
Similarly, I figure Trump is going to flake. Flaking is his whole history. He has a ‘great’ idea, pursues it like a monomaniac, overdoes and misunderstands a bunch of things about it, the idea goes sour, and he finds a reason to back out and a way to leave with enough money in his pocket that he gets to go on being rich (which I figure probably has more to do with the skills of the lawyers and accountants he retains than his dodgy business acumen). He did it with his casinos and his vodka and his steaks and his home financing company and his “University” and his football league and his water and his airline and… yeah. We’ll be here all day if we want to list everything.
Well, he’s had the ‘great’ idea to finally pull the trigger and run for President like he’s been hinting for the last 30 years or so. He has pursued it like a monomaniac through the primaries, going nuts on Twitter and at rallies, and has effectively won the nomination, being the last candidate standing as the primary season has come to a close. But he has overdone a bunch of things (like the racism and the hawkishness and the vitriol) and misunderstood others (like, apparently, how being President works, or anything about actual domestic or international policy). Now the idea is going sour. His polling numbers have plunged into the basement, his unfavorable rating is headed up into untrod territory for a presidential candidate, and the party he think has to fall in line behind him is getting alarmed as they realize the only ones behind Trump are the half of the Caucasian male GOP and 10% or less of any other demographic including undecided voters.
So the next step, after things go sour enough to penetrate Trump’s hair-helmet combover-weave-whateverthefuckthatis and skull and ego, is that he’ll flake on this grand adventure just like all the others. He’ll make up a few dozen excuses as to how it’s really a victory and he lost nothing doing it and in fact he’s ended up richer (though he’s “ended up richer” from a couple of dozen failures and somehow he doesn’t seem any richer than when his inheritance was new, but nevermind that) and it all proves that he’s a genius who is totally the best at everything kind of like the magic Kim dynasty of North Korea that Trump has expressed admiration of.
I think he’ll flake totally and quit in a snit and the excuses and defenses and “I’m a genius and my quitting proves it”s are going to fly. And he’ll do it before the formal vote of the general election proves how generally disliked and distrusted he really is.
So stay tuned. Maybe I’ll be wrong. But if I am, it’ll be in the particulars. People will go to the moon, and Trump will fail, quit, and make excuses.
I don’t pass along videos often, especially not hour-long satirical jabs at our most unfortunate current Presidential candidate, the USA’s answer to the UK’s nativist/racist UKIP party, Donald Trump.
But I do have a bit of political conscience, I genuinely believe that Trump presents a danger to the future of the US above and far beyond what any of the other candidates may pose, and I also believe that satire, like all storytelling, has a great potential to lift up the positive and dispel the negative.
And so in the spirit of dispelling a grave negative, I invite you to sit down and spend a little time watching Trump being lampooned in the spirit of The Great Dictator (although it cannot match the eloquence of that classic).
Coming soon to Barnes & Noble and Kobo.
Haven’t read the previous installments? Click here to go to Part 1!
And now… Part 3, the bizarre conclusion:
But in the cold, glassy sunlight filtering through wispy gray drizzle clouds on Inauguration Day, he knew. Moments before stepping out on the stage, standing head bowed behind heavy navy curtains blazoned with the eagle of the Seal, he knew. A moment later, his cue, and he stepped out into sudden applause. The applause died quickly, leaving behind a confused coda of isolated claps, then a hush.
He shuffled. His back was bent. He looked old. Intricate combover abandoned limp on one shoulder like a dying cotton candy stole, shiny pink skullcap skin stretched tight to the chilly gusty wind, he shuffled. Old.
Election night, he’d been twenty years younger. And he’d been old and dark-baggy-eyed then.
“Is the President going to die?” a little girl in the front row asked her mommy, loud, into the silence. Mommy shushed her. The news cameras zeroed in, producers hissed did we get it? Did we get it? Into earbuds. But it didn’t make the news. Trump took the podium and the crowd tensed so viewers at home could feel it in their bones. Waiting for him to stumble on the step behind the high podium, fall, break a hip, end the term before it was begun. But he stepped up. Bent the mike. Leaned his head in. Pursed lips. Brushed rotten cotton candy hair off his shoulder into the wind’s cold. Spoke.
“THE FUCK IS WRONG WITH YOU PEOPLE?” he thundered, back straightening, shoulders broadening, wrinkles filling in, years falling off, eyes raking the crowd. The crowd recoiled, a step back, stomping toes and bumping shoulders, catching balance, milling in shock like ducks frozen in the bellow of a hunting dog.
Blazing copper hair like Trump had never had spilled out of his scalp like Play-doh out of a Fun Factory, defying the wind to lay itself in a defiant sweep. His wrinkles filled in flat and vanished. The bags under his eyes sucked up and smoothed over. Muscle swelled the arms and shoulders of his jacket. His gut sucked in and stayed sucked.
Like plucking a daisy, Trump plucked the microphone from its stand and ripped it from its wood mount, the cable tearing the wood open in an abrupt line down the front of the podium like a root ripped out of clay soil by the lever of a falling tree. His other hand, of its own accord, popped a tiny rhizome of raw tumeric into his mouth and he chewed it in jagged crimson teeth. His eyes lit baleful blue, the color of the hidden sky.
“Go, they said,” Trump said to the crowd as it surged and stamped like a half-panicked beast, its million heads locked to the stage unwilling, captured on the tether of his amplified voice. “Go and see what they are. And I went. I went. I went among the rubes forty years, stepped into the shoes of this gilded Narcissus and played carnival barker to you until—I thought it could never happen and you proved me wrong—you made me your leader. You cheered as I spit on your institutions. Ruled by fiat, ignored your rules, declared wars, bombed the brothers you called others, played your prejudices and emotions, watched you tear down opposition by force and declaration, watched those who knew better fall quiet and cringe back and the few who dared stand torn down by your hands without a word of encouragement from my lips.”
“Mommy? What’s the President?” the little girl asked mommy, but nobody heard. Nobody but Trump, growing taller, ears unfurling and spreading wide, sliding higher on his head. Sudden claws bit bright lines into the microphone in his hand.
“They’ve learned, I said. They’ve passed through their crisis in the last century. But over the last four years, even on the lands most ravaged by that crisis, the other-hate has risen yet higher, emboldened. By me. By you. Still ready to hate your other-brothers, back and forth, both sides of your politics, all the multitudinous sides, fighting, slouching into violence.”
He stepped to the edge of the stage. The microphone finally gave up with a low wail of feedback; crumpled in his inky claws it fell to the stage decapitated. The little girl, mommy now fled, stood in a half-circle of trampled sod. The crowd behind her compressed backward, wide eyes flashing white fear, gazes still held. Broad silky wings, gold and copper, unfolded and shredded Trump’s jacket. The slabs of his chest and abdomen, covered in copper velvet with the nap of the short dense fur of a cat’s nose, heaved in deep breaths. Trump knelt at the edge of the timbers, down, down, chest laid almost on his knees, wings thrust upward like blooming flowers.
“Little girl, you know the truth. You are afraid, yes?”
“Yes, sir,” she said. Her knees quivered slightly, but she held her spine straight and her eyes full open.
“Bravery is doing right in the face of fear. It is seeing what is truly there when fear tells you to see threat. It is seeing threat only where threat is real.”
“Yes, sir,” she said.
Trump spread his wings and leapt. In moments, the clouds swallowed him. The frantic milling of the crowd stilled and the people began to pull deep breaths and blink, as if waking. Only the claw-torn shreds of his shoes fell back, scattered wide by the twisting wind.
Want more to read? Click here to find one of my novellas and several short and flash stories to read for free right here on my site.