This is a little bit especially for people in the early days of their sending-their-writing-to-total-strangers-and-asking-them-to-publish-it careers. Which is daunting. It was for me. It was every time I did it, and so far I’ve chalked up around 200 rejections for 4 acceptances, only two of which are still in print (in the sci-fi world, small mags can come and go fast).
Rejection sucks no matter where you find it, but it’s worth it. And it’s just part of the game. An editor gets hundreds of stories for every one they print. Rejection might mean you need to do more work on your story or your writing in general — but it also often means a story isn’t a good fit for the mag, the upcoming issue, or the editor just likes another story a smidge more. Just part of the game.
But anyway, I had this little exchange. Maybe you can take something away from it.
If you’re going to submit stories, and you might have more than one in circulation — and that’s likely if you’re steadily writing. It can take an editor a day or two to reject a story (Clarkesworld, in my experience, was always quick to reject me, and that’s not only because my stories didn’t do it for the editor, but because they have notoriously fast turnaround in general probably due to hard work and fast reading). Or it can take two weeks, or two months for some markets, sometimes even more. Take a peek at the bottom of the landing page of the Submission Grinder — they keep a running list of response times reported by writers. They also maintain a great list of markets to send stories to if you’re doing that.
It’s very easy to end up with multiple stories in play at once.
So you can use a tracker sheet like I do (below). Or keep a digital record on a spreadsheet. Or something else that suits you.
The advantage of the simple little one-story-per-sheet tracker is it’s very easy to see where a story has been so you don’t send it back to the same place twice (which is a no-no 99.9% of the time).
The weakness of this sheet is that you have to look over all the sheets for all the stories that you have out at a time to make sure you are not submitting a second story to the same market that hasn’t yet decided on the first story you sent them (also a no-no 99.9% of the time).
Personally, I can live with that. You may not be so excited, in which case I’m sorry I wasn’t more help!
The notes section gives you a place to write “send more” if the editor says send more, or anything else you think is relevant. It also gives you a place to note the exclusivity period on the story if you’re accepted so you know when you can resubmit it to a reprint market or self-publish it (which, of course, is my personal game).
Here’s the tracker sheet I use. I wanted simple, so I made simple. I just copy-pasted it here — I don’t know if you can copy it and use it in this form. If not, drop me a comment and I can email you the .doc file.
…everyone else has to wait until June 8th to buy a copy (Preorder @ Amazon, Barnes & Noble, iBooks, Kobo, (have I missed any? OMG) or Smashwords). Here’s the short description appearing with retailers:
Maladapt is a mini-collection of four short stories totalling just under 15,000 words.
These are stories about the struggle to adapt to the coming future. About coming to terms with migrating to a robotic body, to telepresence, to universal surveillance and what it means to those of us who don’t quite fit in. They’re stories about FAILURE to adapt, and the victories to be won beyond failure.
If you’re not already one of my patrons, this would be a good time to get in on the ground floor. And grab your free copy. And free copies of a few other things which are posted as files or just plain old posts — sometimes I post microfiction, or full-length short stories as text posts.
My fans & readers are relatively few right now. But I am stubborn, and readers check in with me (here or on Twitter @Tao23) from time to time to tell me they enjoy what I write. So unless a meteorite squishes me unexpectedly, I anticipate being here and on Patreon writing stuff and posting early copy and exclusives for a good 20 or 10,000 years depending on my natural lifespan and how good medicine becomes and whether or not I get to upload into a robot body when this meat one wears out AND OF COURSE if I earn enough money and/or respect to afford and/or merit all the cool death-dodges the future may hold.
That’s where Patreon patrons and people who buy my books come in.
Please join my Patreon and/or buy more S.A. Barton books.
Daddy needs a new pair of robot bodies.
…but you can, too! The first installment will be posted here as well as there. Subsequent installments of Broken Rice will be patron-exclusive on Patreon first, but will also appear in ebook form after a short delay! I explain it all over on my Patreon page — but before you click the link, please enjoy the cover art for Broken Rice below. I really enjoyed making it (even if some moments were kind of a pain in the butt) and I’m really pleased with how it came out. 🙂
I hope you didn’t expect to read it here! It’s over on Patreon —follow this link— to thank the folks who are kind enough to support me in my quest to support a family by writing. I hear persistence pays off, and it’s beginning to pay off on Patreon — the current level of support I enjoy there is just about enough to pay the household internet bill! And that matters. Without the internet, it would be WAY more difficult to do what I do.
So thanks to all who go over to read Lunacy on Patreon, and extra-special thanks to all those who choose to support me there, or elsewhere by buying my ebooks!
Thanks to supportive friends and family, I’ve reached (over) $20/month in patronage on Patreon. Every dollar makes it a little easier to remain a full-time writer — many thanks!
I promised that when I reached $20/month I would post a short story that would remain exclusive to Patreon for 90 days. I posted that story today. If you want to read it, you’ll have to head over and look: click here.