Fine, okay, there were some bits that are never fun. Like building an ebook table of contents or going through a bunch of stories written in standard manuscript format and deleting all the tabs so they won’t screw up the ebook.
But yeah, I liked it. There are 21 science fiction stories in there, arranged roughly from the nearest future to the most distant. From the most plausible to the most conjectural. From the least to the most alien-to-us-today vision of humanity.
There are self-driving cars and artificial intelligences in love and undersea civilizations and killer climate change and all sorts of other good stuff.
You can preorder it from Amazon right now. Or from Barnes & Noble, or Kobo, or Smashwords. Or Google Play Books. Or the iTunes bookstore. Or… there are others. How many others I cannot guess. The internet is big. 🙂
The release date is December 24th. Who doesn’t need something to read on Christmas Eve? I do. Ugh, the stress!
I’m kicking around a new idea.
I want you to comment and tell me what you think.
And now you have to read this WHOLE POST BWAAAAAAHAHAHAHAHA
So. *Ahem* I’ve been knocking around this ‘writing (mostly science-) fiction’ thing for a while.
I like writing science fiction. I like writing nearly anything, but science fiction is the gravity in my personal cosmos, if you get my lack of drift. My mother has the first story I ever wrote, in fact. With hand-drawn illustrations, and you can REALLY tell my main talents aren’t in the visual arts — shame I don’t have a picture to post here. It was something involving dinosaurs flying around in jets and a time machine. I think I was 9 or 10. And off and on through the years I fiddled with storytelling in one form or another — writing the occasional story and a lot of pretty stinky poetry. Playing and especially refereeing various pencil-and-paper role playing games.
Around… was it 2008? My memory isn’t what you’d call a steel trap… I started writing a lot more. For myself at first, to see if I could do it well. I thought I might have something publishable and mailed a short story submission to Fantasy & Science Fiction around 2009 or 10. I ran across it a year or so ago and cringed. I still had a lot to learn as a writer.
It’s funny. ‘They’ say read if you want to write. They’re right, but you need to do a lot of writing, too. It takes practice to translate “I know a good story when I read it” into “I wrote a good story.” And an open mind and a mindful purpose to improve and yada yada if you write you’ve probably heard it all before, probably from Stephen King who sells WAY more writing than I do — and almost certainly than you, too, as you read this. And if you’re reading this and you can say you sell like Stephen King, I’m flattered a literary icon of some variety is reading my blog. Hi there!
BUT ANYWAY. I’m pondering trying yet another angle at this self-publishing thing, because what I’m throwing at the wall right now isn’t particularly sticking.
And when I ponder major changes in anything, I tend to beat around the bush a lot before getting to the point.
I’ll try to keep it to a minimum.
I put my first self-published stories on Smashwords in early 2012. I have since pulled most of those early stories from my catalog and archived them — maybe I’ll rewrite them or repurpose their ideas for new stories; I’m not sure yet. As written, they share some of the just-beginning-to-write-with-publication-in-mind flaws that were in that first story I subbed to F&SF. But already, they were better. And I won’t elaborate more right here and now lest I sidetrack myself again.
Between then and now I have tried different approaches to gaining a wider readership as a self-published author. I have tried a little advertising here and there when I had the budget (Project Wonderful, concentrating on genre webcomics and Google Adwords). I have tried charging for every single story because some people say that’s The Way To Do It. I have tried higher and lower prices for the same reason. I have tried having both few and many free stories because some other people say… you get the point.
I have tried posting links to my stuff on social media often, and less often, and not at all. Scheduling posts and not scheduling posts. I have tried being serious, and I have tried being humorous, and I have tried being self-deprecating.
That last one, self-deprecation, is far too easy to actually do it very much without triggering some sort of depressive crisis. Because self-doubt is very easy when you don’t have a ton of fans — and when your earlier life has given you much ammunition for self-doubt, as mine has. (Which is where I say thanks to the Patreon patrons I have. Because not only do they think well enough of me and what I write to contribute a significant, pay-my-internet-bill amount of money, but they do that while being few in number (at the time of this writing — I hope for this to be incorrect in the near future). And only one of them is my mother! The majority of them are people I have never met in person. And since my personality is probably 51% annoying to only 49% awesome, they MUST believe in my writing.)
So how can I not believe? But, onward:
I have tried and am still trying to drum up MUCH NEEDED BECAUSE I AND MY WIFE AND THREE KIDS LIVE BELOW THE POVERTY LINE SO HEY COME OVER AND HELP ME OUT CANYA? support and readers on Patreon.
And now, shockingly, I’m getting to the point. My latest permutation on the How To Do Self-Publishing thing. Which is an I’m Going To Tweak How I Publish My Stories And Therefore How I Handle My Patreon thing.
Because there’s not really one way. There are the ways that make sense for you and that you like doing enough to do persistently. And, most importantly, that work. Different things work for different people. It’s a controversial point, but if you don’t go all buckwild taking it to absurd extremes and using it as an excuse to sit around and chow entire bags of chips when you should be writing and publishing, it’s also a true point.
Here (is/are) The New Thing(s) I’m considering doing.
Though I will occasionally still publish a free story, I’m planning on pulling most of the ones I have out at present to be integrated into small collections priced at 99 cents. They’ll have a minimum word count of a novella (7500), and probably not much more than a novelette (17,500) on the high side.
I’m still planning on publishing a big collection, Closer Than You Think, in December. It will probably be my last novel-word-count-length collection for a long while.
Currently, I submit stories to various zines for publication. In fact, one is scheduled to be published in Amazing Stories in November.
I’m thinking of stopping that. Not because I don’t like being published. I do! But maybe if I’m going to self-publish I should concentrate on, you know, self-publishing.
Instead, my thought is that I should publish all of my stories straight to Patreon for my patrons to enjoy first. Then publish the ebook, still at least 30 days later as I do now. And usually, now, significantly later, because I’ll be sitting on them until I have enough to fill out a small collection with some kind of unifying theme.
Or should I just sit on all the individual stories and publish the collections, and maybe the longest ones individually? HMMMMM!
With, for the first time, an actual reward structure for patrons. Because I don’t actually have one of those things at the moment. I’m just thankful for the support and give everyone some posts and fiction and ebooks.
Public/ no pledge: microfiction under 250 words, and blog posts.
$1/month pledge or more: gets to see (and get any ebook file I have to give) flash & short stories (7500 words or fewer).
$10/month or more: same as above, but also gets to read novellas & novelettes & collections over 7500 words.
$20/month or more: same as above, and I also mail a signed paper copy of anything I publish in paperback (probably through Createspace).
So that’s what I’m thinking of doing. What do you think of it? Anything you’d do different? Tell me!
Yes, this one is about acquiring an archaic skill that nobody needs — driving an uncomputerized car in a time when cars not only drive themselves, but have no user-accessible steering wheel, accelerator, brake, not even a switch for the headlights. Where your car not only drives you, but it also comes to your side when you call — literally.
Stories that simple are never that simple, and there’s a lot more than that to this novelette — which, by the way, is available as preorder until its 27th July 2016 release, and of course as an instant purchase after that at Amazon, Barnes & Noble, Kobo, Smashwords, and Google Play Books.
It’s about learning to see past the context of your time and place in history, learning to see what in your society helps and what holds you back, about a woman going hand-to-hand with caveman tech just to see if she can.
I posted more about it in an earlier post.
I also wrote a short description that appears where it is sold: “Angela’s world is automated — the cars drive themselves. Houses and tablets and phones are always listening to tell you how to do things and warn you against things you’re not supposed to do. When she and her boyfriend inherit an old-style manual-drive car, it inspires her to try to master it — and to realize how little a person actually controls in a technological,automated world.”
And I think you should buy a copy because I enjoyed the hell out of finishing it and loved seeing how it ended — I think that enjoyment and love shines through in the finished product.
[Also, just so you know, over on Patreon my patrons got a free copy a few days ago (and you can still get one by becoming a patron and scrolling down to the post and downloading your preferred format) — not only did they not have to wait for the preorder to release, but they also didn’t have to pay. Good deal, no?]
…or at least the happy little solarpunk short-short they star in is free!
I have often said that I hope that someone — anyone, government or private or whatever — builds a really decent retirement home on the moon or in geosynchronous orbit or at L5 in time for me to retire to it.
This is a story about two people who are retiring to just that sort of place. It’s a good idea for a few reasons — the reduced ‘gravity’ of a spinning habitat or the real low-gee of the moon may be enough to avoid the health troubles of microgravity while also avoiding the health troubles of living in full Earth gravity as an elder. Good times!
In the story, Brittany is happy to move to orbit. Dustin, however, is really unhappy at the idea of leaving Earth behind forever. Resolving that conflict forms the base of this happy little story.
Give it a peep — because it is FREE, and because my career as an author is still getting off the ground and every single one of you who reads it increases my chances of being seen by new readers by making my work more visible to everyone.
Your support is VERY MUCH appreciated! (If you’d like to lend even more support, I’m on Patreon, too)
Here’s where to find it:
Thank you for reading!
(This post originally appeared on my Patreon page on 17 February 2016. My patrons see blog posts three days before anyone else — and when I publish a new ebook, they get that THIRTY days ahead PLUS they get a FREE .pdf copy EVEN IF I CHARGE FOR IT ELSEWHERE. On top of that, they get my sincere thankyous as a grateful author — priceless, yes? Totally. See you there.)
There are a lot of potential reasons to unpublish an ebook once you’re set it free. Maybe you published in haste and realized you actually still had a TON of editing and proofreading left undone and it will take AGES to slog through it and do it right. Maybe you’ve had second thoughts and you’d rather wait a while before getting your name and work out there for reasons of your own. Maybe you just don’t like the story anymore, or it picked up a 1-star review you HATE (they happen to everyone, go look at some bestsellers’ reviews and you’ll find 1-star reviews) or…
Maybe, like me, after a few years of self-publishing you decided to read one of your earliest stories and after a couple of pages you thought, oh man, there’s a good concept here and maybe a decent story but man, Years-Ago-Me just didn’t understand that this one wasn’t quite ready for the big time.
And maybe, like me, your first impulse – whatever your reasons – is to rush to wherever you’ve self-published your story and YANK THAT SUCKER FAST PLEASE DON’T LOOK EVERYONE STAAAHHHHHP READING!
But hold on.
Take your cursor/pointer/whatever off the UNPUBLISH link.
Push the mouse away. Gently.
Take a deep breath.
One thing I’ve learned in the last few years of self publishing my own work: if you make a decision in a hurry, you’ll probably regret it later.
So let’s talk about why unpublishing MIGHT be the answer, but is PROBABLY NOT.
MOST OF US HATE OUR WORK SOMETIMES
For, at a guess, most of us, we both love and hate our own writing. We write away with great abandon and then come back and realize THIS little bit is a hoary old cliché we picked up from television when we were in grade school and THAT is a plot hole and THIS OTHER is a character acting totally out of character and THIS YET ANOTHER part is just awkward as all get-out. If we proof and edit with a will, and especially if we have a first reader or two experienced in evaluating stories (or an editor to work with, you lucky duck) we catch most of it. But as I pointed out in my post about plot holes, something always slips through. Even if nothing slips through, someone will think your awesome perfect story isn’t awesome or perfect at all, because people have opinions about stuff like fiction and how it should be done – which often translates to their particular preferences (remember the Puppies kerfluffle? Mostly people confusing their preferences with the ‘right’ way to write and sell a SF&F story – even authors). The very concept of perfection is an illusion outside of narrowly-defined specialized circumstances. You can spell a word perfectly – most of the time, unless you’re talking about color/colour or draft/draught in which the difference is merely regional and has nothing to do with ‘perfect’ or ‘correct’ – but you can’t write a perfect story. Can’t be done. You can only write an excellent story.
And yes, you can keep on making changes if you want, but BE CAREFUL WITH THAT. You can find yourself fiddling with one story forever – we’re imaginative types, we writers, and can always think up a different way to tell the same story, write the same scene, word the same sentence. There’s a point in rewriting when you’re only making things different, not better – and you might even be making things worse. There’s a point where you have to decide to either trunk it, or to let the story go out into the world as it is. You’ll get better at knowing when that is the more you write. It’s subjective. Sorry about that, but that’s reality on this one.
OH GOD I JUST FOUND A TYPO ON THE FIRST PAGE WAIT THERES ANOTHER AND ANOTHER NUKE THE STORY FROM ORBIT IT’S THE ONLY WAY TO BE SURE
Whoa, be cool. Yeah, I freak out a little if I realize I have a typo, especially right on the first page. That makes it worse, somehow. And it happens even to those of us who have regular access to pro proofers and editors – at least, it does on rare occasion. For writers in circumstances similar to mine (no money to speak of, remember?), pro proofing and editing isn’t practical. Or even possible. I sweat the economic impact of ordering twenty-five bucks worth of pizza maybe once every other month, so how the hell could I justify the cost of hiring a professional to look over a short story – especially when there are four other people in the house with an equal claim on every penny? If you’re in that boat, typos will happen to you a bit more often – the more work you devote to ferreting them out, the less it will happen but it will always be more than it is in 90% of stuff that passes through a traditional publisher.
What I’m saying is, don’t panic. Read through your story. Open it in your favorite word processing software and blow it way up until it fills the screen side to side and focuses on only a few lines at a time, and proof it with care. That helps in finding typos, way more than I thought was possible when I first gave it a try. Or print a copy and go over it slowly, red pen in hand. Fix all the typos you can find. Then submit your new typo-freeish copy as a new version. Make a little effort to let your readers know you cleaned it up. Tell ’em on Facebook, Twitter, your author site, whichever place(s) folks are paying attention to you. Let them know you’ve fixed your typo-ing ways and mean to do better going forward. If you really mean it and put the work in to publish the cleanest copy you possibly can, they’ll notice the difference. They may not say so, but they will. And new readers will come away with a better impression of you.
BOTTOM LINE: IT IS EASIER AND FASTER TO SUBMIT A NEW VERSION THAN UNPUBLISH ALTOGETHER
If you take your time and think about it, you might still come to the conclusion that you want that story gone. Unpublishing is your call, in the end. But be aware – it’s more likely to be a big fat pain in your butt than submitting a new version. There are a few horror stories [like this one] about the hassles of unpublishing. That’s because the self-publishing system is set up to facilitate the submission of new versions of the text and/or cover art, and it’s NOT set up to facilitate taking a story down. Yes, your dashboard at Smashwords or whatever may have a handy-dandy UNPUBLISH link right there to use. And THEY may take it out of their catalog instantly or reasonably close to instantly. But while a fresh version of the text may be automatically accepted by iTunes and Barnes & Noble and so on and so forth, a takedown may not be. An order to unpublish seems to be much more likely to go ignored, and then you have to email or call that publisher, which will tell you to talk to support wherever you self-published, which will either tell you to go back to that publisher or alternately tell you they’ll try sending the request (REQUEST? IT’S NOT A REQUEST DAMMIT I TOLD YOU TO TAKE THE STORY DOWN) again and please wait at least three weeks to see if it worked… UGH WHAT A PAIN IN THE BUTT NOW I HAVE TO MAKE A NOTE ON MY CALENDAR TO EMAIL YOU BOZOS AGAIN TO SEE IF IT ACTUALLY HAPPENED THIS TIME WHY DIDN’T I JUST SUBMIT A REVISED TEXT MAYBE THAT’S WHAT I’LL DO OH WAIT IT’S UNPUBLISHED AND NOW THEY SAY I CAN’T JUST REPUBLISH IT AGAIN DO I PICK A NEW TITLE FOR IT OR WHAT I LIKED THE OLD TITLE AND WHAT WILL MY READERS THINK IF THEY BUY WHAT THEY THINK IS A NEW STORY BUT IT’S JUST AN OLD ONE GUSSIED UP A BIT HELLO MORE 1-STAR REVIEWS OH GOD WHAT HAVE I DONE
And that’s why my advice to you, with all respect, is: if you want to unpublish a story for whatever reason, you’re better off fixing what you feel is wrong with it and submitting the corrections as a new version. Even if it’s radically different than the old. There’s precedent in traditional publishing – remember a little story titled Ender’s Game? Before it was a classic novel of the SF genre and a movie, it was a short story and it changed quite a lot between short story and novel. If Mr. Card can do it, so can you.
Archaeologists often find strange and even dangerous things during their explorations. When Clay and Sandy uncover an ancient frozen cat on the Siberian plains, they have done just that, for Kwirrrf is not accustomed to being a pet. In fact, he’s more accustomed to being a pet owner…
This is my fifty-sixth title published on Smashwords. It’s 5117 words long, which is only 117 words longer than my upper limit for 99 cent stories. I decided not to be nitpicky and leave it at 99 cents.
Did I mention it’s just ninety-nine measly cents? Buy it and curl up with a nice Ancient Cat of Power story. Those are always fun, I think.
This is what I published 2 years ago (plus a couple of days). You can click through and read it, it’s a short-short and it’s free. It was my 26th; my 1st was published in January 2012.
Looking back, it hasn’t been that long. A bit more than 2 1/2 years I’ve been self-publishing. A few thousand of my free titles have ‘sold’ in that time, and probably a tenth or twentieth as many paid copies have sold.
Not too shabby, my practical side says. As long as I keep it up, keep writing and publishing, people will keep reading. Eventually, I hope, many more people. Persistence is the first thing pretty much anyone needs in getting their work out there, written or otherwise.
My impatient side, however, thinks that kind of thinking is for, appropriately for this post, dumbasses.
I don’t like waiting. Does anyone like waiting? I’m pretty sure nobody likes waiting. Hey, I bought Product X yesterday, and the commercials clearly state that if you buy Product X all your dreams will come true in mere days, like a fairy tale. I’m impatiently waiting for my instant gratification.
Hmm, that gives me an idea.
Read Dumbass, and all of your dreams will come true in mere days. Promise.
So, yeah. As of now I have fifty-five short story and collection ebook titles out there for folks to read. This latest is a short tale of superheroes and fandom, and it’s a mere 99 cents. It’s available on Smashwords right now, and will appear with other ebook retailers shortly, most likely within two weeks.
Keep your eyes peeled: I still have plenty more stories to tell.
Here it is! It’s free, and at 1249 words it’s a quick read. Click ‘read online’ to read it directly, or download the ebook format you prefer.
It will also be showing up on iTunes, Barnes & Noble, Kobo, and Amazon (links in the right sidebar to all of my titles — look!) within the next two weeks. Possibly sooner, Smashwords’ distribution has been getting a bit quicker lately.
I’ve had my ebooks out there, waiting to be purchased (sometimes for free) for a couple of years now. From time to time, I look in at the various outlets that carry them, seeing if I can find any information on how well they’re doing. Some outlets give me more information than others. Apple just ranks them in the order that the header of their page proclaims to be ‘Top Books’. I guess they’re in order of sales… maybe recent sales…or…I don’t know. But they’re in order of something or other. B&N gives a sitewide sales rank.
Sony Reader Store presents you with lists of titles with really tiny thumbnails that defy almost any cover art to be discerned, which you can sort by ‘relevancy’ or ‘bestselling’ or by price or date published. Fairly user friendly as these things go.
Here’s the weird bit: sometimes I go to the Sony Reader Store and find a title somewhere vaguely near the top of a list, and it’s not one of my free ones. Oh, boy, I must have made a sale of PAID COPY! Woo-hoo!
There’s one I saw a few minutes ago. #178, probably just sold one fairly recently. It’ll go back down soon, sigh. Sony lists seem to have a lot of ‘churn’, titles moving up and down in rank quickly. That’s a good thing and a bad thing. It makes it a little easier to get noticed, but harder to stay up once you’re up. Mixed bag. That’s fine, it has to work some way or other.
Well, you say, maybe you didn’t sell one and it’s just way down on the bottom of the list arbitrarily ranked with other things that haven’t sold.
But it wasn’t there yesterday.
And it’s not way down on the bottom.
There are over 5500 titles on that list. You don’t make it to number 178 out of 5500 by selling nothing, right?
But in two years, I’ve never gotten a cent from Sony for paid copy. Sony reports that every title of mine they’ve sold has been a free ebook.
It’s been that way for two years now. It’s weirding me out, man. I don’t want to say that Sony’s not reporting paid sales of Smashwords ebooks, but…
…how do my non-free stories keep making it up near the top of their listings if nobody’s buying them?
Anyone have any insight into this?